Julien*s auction house to the stars
Julien's Auctions | 13007 S. Western Avenue, Gardena, California 90249
Phone 310-836-1818 Fax 310-742-0155
April 18th -29th: 10am - 10pm
K11 MUSEA in Hong Kong
18 Salisbury Road Tsim Sha Tsui, KOW Hong Kong
Discover the captivating legacy of Princess Diana and explore the fashion trends of iconic royal figures at the not-to-be-missed pop-up at K11 MUSEA from April 18th to 29th. Immerse yourself in an enchanting journey that unveils the garments worn by Princess Diana during her charitable endeavors, providing a glimpse into her character and the profound influence of her fashion choices. From the elegance of the Duchess of Windsor to the grace of Queen Alexandra and the timeless style of Queen Victoria, this exhibition showcases the evolution of fashion across generations of prominent royals. Don't miss this unique opportunity to witness the intersection of fashion, history, and the enduring legacy of these remarkable figures.
「優雅經典:戴安娜王妃及皇室收藏」香港預覽:
2024年4月18日至29日 10:00am-10:00pm
K11 MUSEA Gold Ball
香港尖沙咀梳士巴利道18 號Victoria Dockside
免費對公眾開放,預約請按
June 11th - 27th
The Museum of Style Icons in Newbridge, Ireland
The public will have a once in a lifetime opportunity to view highlights of this dazzling collection of the Princess of Wales’ most famous attire in Asia and Europe before its auction, beginning at a Pop Up at K11 MUSEA in Hong Kong from April 18th-April 29th and exhibition at The Museum of Style Icons in Newbridge, Ireland’s June 11th-June 27th.
On display will be Diana’s highly glamourous gowns worn in her most photographed appearances such as a Murray Arbied midnight blue strapless tulle Diamante Star gown with a fitted bodice worn by Princess Diana twice in 1986, at the Phantom of the Opera premiere and to a dinner at Claridge’s for King Constantine of Greece. Diana was also photographed in the gown by Lord Snowden in 1997 for her charity auction.
This stunning auction not only preserves Diana's enduring legacy but also pays homage to the broader influence of the British monarchy on popular culture, spanning centuries of regal elegance and intrigue. From the House of Hanover to the Windsors, each dynasty has left an indelible mark on fashion and lifestyle luxuries. Within this curated collection, one can explore a tapestry of royal heritage, from the exquisite handmade lace belonging to Queen Victoria to the French couture of the Duchess of Windsor, culminating in the ultimate royal icon of style: Princess Diana.
Princess Diana's sartorial choices transcended mere fashion statements; they were deliberate expressions of her identity, each ensemble meticulously curated to evoke a response, to provoke thought. "How will people see this? How will it be interpreted?" she would muse, fully aware of the power her style wielded. What she might not have foreseen, however, is the enduring legacy her dignified glamour would leave, resonating ever stronger across the decades since her untimely passing.
From the fairy-tale ball gowns that captivated the world at her wedding in 1981 to Prince Charles, to the sleek, tailored silhouettes of the 1990s, Diana's wardrobe mirrored her evolution as a woman and as a cultural icon. She effortlessly blended royal elegance with contemporary flair, collaborating closely with designers on custom creations while also embracing ready-to-wear pieces, making her style both exclusive and accessible. Her midnight blue tulle gown by Murray Arbeid, adorned with twinkling diamanté stars, epitomized the era's zeitgeist, sparking "Di-mania" and solidifying her status as a fashion icon.
Yet, Diana's influence extended far beyond the realm of fashion; her choices spoke volumes about her character and convictions. Whether she was donning lace to support AIDS charities or boldly embracing black as the epitome of evening chic, her wardrobe was a canvas for social change. With each daring ensemble and every carefully chosen accessory, she challenged conventions, modernizing the monarchy while captivating the world with her grace and compassion.
Studying the styles of icons like Jacqueline Kennedy and Audrey Hepburn, Diana crafted a signature aesthetic that was both timeless and distinctly her own. Catherine Walker's color-blocked suits, like the striking canary yellow and navy blue ensemble she wore in Hong Kong, exemplified her ability to command attention while remaining effortlessly elegant.
Diana may have been a princess, but her allure rivaled that of a Hollywood starlet. Though she left no films behind, her legacy lives on through the exquisite gowns and accessories that continue to captivate audiences, inviting them to delve deeper into her enigmatic persona. She defied the constraints of royalty, both in her actions and her fashion choices, leaving behind a timeless legacy that transcends generations.
Kurt Geiger emerald green satin evening pumps designed by Kurt Geiger with a jeweled bow at the vamps worn by Princess Diana to a state banquet at the Dorchester Hotel in London, November 11, 1993.
A pair of emerald green satin pointed-toe evening pumps with jeweled multi-color crystal bows designed by Austrian London-based designer Kurt Keiger. These pumps are lined with metallic gold leather and stamped on the interior sole with, "Raphael for G, Kurt Geiger, Made in Italy." The outer soles are black leather with embossed size 39 1/2 on the shank of each shoe.
A portion of the proceeds from the sale of this item will benefit Muscular Dystrophy UK.
Estimate: $2,000 - 4,000
A Rayne violet leather semi-circle clutch belonging to Princess Diana. Princess Diana utilized the clutch on several occasions, she was photographed holding the clutch in Hong Kong on November 6, 1989, and several times in 1990, including October 1, 1990, on an official visit to Washington D.C. where she and First Lady Barbara Bush visited AIDS patients. Also on February 11, 1992, during her royal tour in India where she toured the Taj Mahal.
A portion of the proceeds from the sale of this item will benefit Muscular Dystrophy UK.
Estimate: $2,000 - 4,000
A Rayne white and red leather envelope clutch belonging to Princess Diana. Princess Diana was photographed holding the clutch on, June 7, 1988, at Royal Papworth Hospital in Cambridge, July 21, 1989, at The Royal College of Art, in Cambridge on June 7, 1988, on tour in Saudi Arabia at the Masmak Fort in Riyadh November 16, and while visiting Nijo Castle, Kyoto, Japan,1986, May 9, 1986.
A portion of the proceeds from the sale of this item will benefit Muscular Dystrophy UK.
Estimate: $2,000 - 4,000
A Princess Diana pink floral silk shirt dress designed by Catherine Walker for her clothing label "The Chelsea Design Company." Princess Diana was pictured in the dress on August 22, 1991, leaving St. Mary's Hospital in London and 1992 leaving Prince Harry's school in Notting Hill.
A portion of the proceeds from the sale of this item will benefit Muscular Dystrophy UK.
Estimate: $100,000 - 200,000
A Victor Edelstein lace evening dress belonging to Princess Diana, worn in London on January 25th and in Hamburg, Germany on November 6, 1987.
Lot 56 “Dresses from The Collection of Diana, Princess of Wales” Christie’s New York [Sale 8702] June 25, 1997.
Estimate: $200,000 - 400,000
A black velvet evening gown designed by Catherine Walker for Princess Diana, not worn in public.
Lot 55 “Dresses from The Collection of Diana, Princess of Wales” Christie’s New York [Sale 8702] June 25, 1997.
Estimate: $100,000 - 200,000
A Spring/Summer 1961 Marc Bohan for Christian Dior Haute Couture lavender evening gown with matching Roger Vivier court shoes belonging to Wallis Simpson, The Duchess of Windsor.
Simpson was an avid buyer of couture, especially Dior during Marc Bohan’s tenure. British Vogue chronicled Wallis’ fashion history, Susan Devany wrote, “Simpson was often seen on the front row of Schiaparelli’s seasonal shows, and was a firm favorite of Christian Dior. Simpson believed she was ‘not a beautiful woman’, and so she used fashion as a kind of armor – with her sense of style becoming more sophisticated the more famous she became.”
Estimate: $4,000 - 6,000
A Spring/Summer 1967 Marc Bohan for Christian Dior Haute Couture dress and cape ensemble belonging to Wallis Simpson, the Duchess of Windsor.
This lot comes with two Christian Dior croquis from Autumn/Winter 1971, the illustration featuring the cape ensemble comes with a fabric swatch. A sales receipt and postmarked envelope addressed to the Duchess (La Duchesse de Windsor/ 4 route du Champ d'Entraînement/ Bois de Boulogne/ 16 Paris) from the couture house.
Estimate: $4,000 - 6,000
A yellow and black felted wool turban designed by Philip Somerville for Princess Diana, photographed wearing in Berlin, Germany November 1, 1987, and on Christmas day in 1987.
Estimate: $10,000 - 20,000
A Catherine Walker two-piece yellow and navy skirt suit belonging to Princess Diana, photographed wearing November 8, 1989, in Hong Kong during a visit to Tamar, a British Forces shore base (day three of her visit), and in London on February 14, 1990.
Estimate: $30,000 - 50,000
A cream and red lacquered straw wide-brim hat attributed to Royal milliner Philip Somerville for Princess Diana, photographed wearing at a Garter ceremony and while on a Royal Tour in Australia in 1985.
Estimate: $10,000 - 20,000
A haute couture cornflower blue cotton day dress designed by Hubert de Givenchy belonging to Wallis Simpson, the Duchess of Windsor.
Estimate: $800 - 1,200
A Murray Arbied embellished tulle gown belonging to Princess Diana of Wales, worn twice in 1986, once to the Phantom of the Opera premiere (October 1, 1986), and again to a dinner at Claridge's for King Constantine of Greece (July 6, 1986). Diana was also photographed in the gown attending a ballet performance of Cinderella at the Royal Opera House on December 17, 1987. Ten years later in 1997, Lord Snowden shot portraits for Princess Diana's dress auction (June 25, 1997); the portrait of Diana wearing this Arbeid design was included in the auction catalog Dresses From the Collection of Diana, Princess of Wales.
Estimate: $200,000 - 400,000
An ivory-colored cotton 19th-century nightgown with lace trim belonging to Queen Victoria.
Estimate: $1,000 - 2,000
A piece of wedding lace from Queen Alexandra's 1863 wedding bouquet.
A piece of ivory silk trimmed with Honiton lace. Attached to the trim is a note reading, "Lace off Queen Alexandra's wedding bouquet, which she gave on her arrival to Osborne House to Mrs. Smith, the housekeeper." Elizabeth Smith was the housekeeper for Osborne House from 1858 to 1869.
Estimate: $100 - 200